by
neilduffen
@ 2006-10-03 - 01:16:42
The theatre was small and intimate but full.
I had heard of the play before, it had been on the edge of my radar somehow for years, I think since I had read an interview with Sir Ian Mckellan in a very old issue of Gay Times.
I even think this was during my school days,I used to be a regular reader of the magazine then.
I can even recall the butterflies I used to suffer as I bought it from the news vendor that used to be located under Colmore Circus in Birmingham,just outside my other childhood haunt Nostalgia and Comics.
The underpass and vendor have long since gone, Nostalgia and Comics remains.
I would buy it and keep it in my school bag or under my bed, reading of this other life, a life that did not in anyway involve school or parents but involved men.
Men loving other men.
I digress.
G had mentioned it and bought the tickets a few days before and had invited his friend K.
We shuffled in and took our seats, good seats not too close to the stage but not far either.
I don't think any of us were prepared for the rollercoaster ride of emotion we would experience over the next couple of hours.
The play opens in Berlin in the 1930's and we are immediately introduced to Max - a Berlin fop who lives with his lover.
The initial frivolity is brought to a murderous close when the young man Max picked up the night before is brutally murdered by the Gestapo - a reference to the Night of the Long Knives, so called when Hitler moved against his rival Ernst Rohm - an overt homosexual and political threat to Hitler.
Max and BF go on the run but are eventually arrested and sent to Dachau, but the dancer with whom Max is involved is brutally murdered on the way, with Max being forced to take part in the murder.
It is an act of betrayal, survival and dehumanisation that is effectively staged, I hugged G as I watched and he hugged me back.
Max does a deal with the German guards so he can wear a yellow star instead of a pink triangle, as even in the hierachy of the oppressed imprisoned in a concentration camp the fags were at the bottom.
Max soon becomes friends-and even a lover- to another prisoner, one who wears the pink triangle.
It is only when this prisoner is murdered by the sadistic guards does Max finally find the courage to remove the star and wear the triangle and in the process he chooses his death,casting off the lie he has been living and embracing who and what he really is.
A single act of defiance and pride.
The above in no way does justice to the play and to it's star Alan Cumming.
He is, in a word, superb in this role. He takes us on a rollercoaster of a ride of raw emotion and does so with a light, deft touch.
As an actor I hadn't given him much thought before this, but I left the theatre with a feeling that he was perhaps one of the best of his generation.
At the conclusion he recieved a standing ovation from the whole of the audience and he-and the rest of the cast- deserved it.
We came out onto the street and G and I hugged and kissed, both of us feeling emotionally drained.
And the fact that we can do that, openly in the street is testament to how far we have come since those desperate, dark days during the second world war when a man was condemned to death (and imprisonment after the second world war) for loving another man.
If you can,please go and see it.